The new musical ‘Mexodus,’ currently playing at the Pasadena Playhouse, presents a story reminiscent of the Underground Railroad but with a southward trajectory to Mexico. The production is notable for its small cast size and energetic performance style.
The review highlights an interesting question within theater: how few performers can be used in a musical while still delivering a fulfilling experience? While acknowledging that a large cast doesn’t automatically equate to quality, the reviewer notes the unusual approach taken by ‘Mexodus.’ The play reimagines the historical Underground Railroad, shifting its direction from north to south – towards Mexico.
The article points out that, in the realm of theater, the number of actors listed on a program does not necessarily correlate with the success of a show. However, it raises the question of how minimal a cast can be and still effectively convey a musical’s story. The reviewer draws a comparison to the two-man production of ‘Hamilton,’ suggesting that ‘Mexodus’ shares a similar spirited energy despite its limited number of performers.
The source does not provide details on the plot, characters, or creative team beyond noting it is a new musical currently in performance at the Pasadena Playhouse.
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